Tag: Kenneth Woods

Elgar Festival 2023 – Elgar’s Strings – Connections

An evening of some of the most beautiful and thrilling music ever written for string orchestra, celebrating a web of musical and personal connections. Michael Tippett was the ESO’s first Composer-in-Association, and the orchestra recorded his Concerto for Double String Orchestra under the composer’s guidance during their partnership. Tippett was succeeded by Lennox Berkeley, whose son Michael is this year’s Featured Composer. Michael’s godfather and mentor was, of course, Benjamin Britten, represented here by his incredible homage to his teacher and mentor, Frank Bridge. Two of Elgar’s most haunting miniatures and Ruth Gipps’ beautiful Cringlemire Garden round out a thrilling celebration of British string music.

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Elgar Festival 2023 – Elgar for Everyone Gala Concert

Perhaps no work in musical history was as eagerly awaited as Elgar’s First Symphony. Music lovers across Europe and the British Empire were all waiting to see if Elgar could produce a symphony worthy of comparison with those of Beethoven and Brahms. Ahead of its London premiere, the great conductor Hans Richter called it “the greatest symphony of modern times, written by the greatest modern composer – and not only in this country.” Elgar’s choral masterpiece, The Music Makers, was completed only four years later, but sees its composer in a more reflective mood, with touching musical reminders of his earlier works sprinkled throughout, sung here by the acclaimed Elgar Festival Chorus. Featured Composer Michael Berkeley’s Secret Garden is one of his most colourful and ebullient works.

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Sibelius – Symphony No.6 & Tapiola

The English Symphony Orchestra’s highly-regarded exploration of the music of Sibelius continues with a programme of two late masterpieces which together highlight the Finnish composer’s breadth of vision and range of emotion.

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Zoë Beyers at Cheltenham Town Hall

Schumann’s complete work Manfred – based upon Lord Byron’s dramatic poem of the same name – is rarely performed these days, however the Overture has found its place in Schumann’s enduring repertoire. Schumann’s love of literature was fostered by his father, a bookseller and publisher, and his affinity for combining great literary works and music, alongside his own writing in the journal Neue Zeitschrift für Musik, led to him becoming one of the influential artistic voices of the Romantic era.

As part of this Romantic composer-led programme, ESO leader and violinist Zoë Beyers will be bringing Tchaikovsky’s challenging but much-loved Violin Concerto to life. Although the concerto was not well received by his friends, family or critics in the first instance, the public’s enthusiasm for the work was swift and triumphant and it remains one of the most difficult violin concertos in a violinist’s repertoire.

The concert concludes with Dvořák’s Symphony No.9 From the New World. Composed during his time as director of the National Conservatory of Music in New York, this symphony was a huge success and the New York Evening Post commented that it is “the greatest symphonic work ever composed in this country”, high praise indeed!

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