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Concert Review – Musical Opinion on ESO at King’s Place 28 April 2020

Concert Review – Musical Opinion on ESO at King’s Place 28 April 2020

From the July 2020 issue of Musical Opinion:
This concert, pairing partitas by Martinů and his sometime pupil and inamorata Vitězslava Kaprálová with Mozart’s 20th Piano Concerto in its chamber/string orchestral version and a newly restored version of Dvořák’s wonderful Serenade for strings, was probably my most eagerly anticipated concert of the preceding six months. (In other words, since the UK concert premiere of Truscott’s Elegy coupled with David Matthews’ Double Concerto in Malvern—reviewed in a previous edition of this journal—given by the same orchestra and conductor; London orchestras, please take note.) It did not disappoint, with the Orchestra in top form under chief conductor Kenneth Woods and with one of the finest pianists currently on the circuit, Noriko Ogawa, on sublime form.

Concert Review – Musical Opinion on ESO at Cadogan Hall

Concert Review – Musical Opinion on ESO at Cadogan Hall

From Musical Opinion (July 2019 Issue): This was special. For their debut at the Cadogan Hall, Kenneth Woods and the English Symphony Orchestra constructed a fascinating combination of the very new and very, one might say over-familiar….

Musical Opinion on Matthew Taylor’s Fifth Symphony

Musical Opinion on Matthew Taylor’s Fifth Symphony

A fantastic feature in the current issue of Musical Opinion on the Fifth Symphony of Matthew Taylor, which we will premiere on the 9th of June in Cadogan Hall London on programme which also includes Beethoven’s Fifth Symphony and the Mendelssohn Violin Concerto with soloist Pavel Sporcl.

3 April in Malvern Priory: English Symphony Orchestra to bring the true story of one of music’s greatest mysteries to life

3 April in Malvern Priory: English Symphony Orchestra to bring the true story of one of music’s greatest mysteries to life

It is a story of a long-lost musical masterpiece, forgotten for generations, and the amazing chain of events which led to its rediscovery and long-overdue premiere. It is a story which includes madness, death, a voice from beyond the dead heard in a séance, and international political intrigue. Could this really be a true story from the normally staid world of classical music, or the plot of a novel?

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